What if William Shakespeare never existed... until now. Our Modern Bard is caught in a love triangle of confused sexuality, cross dressing, mistaken identity, and bedroom trysts. Does Shakespeare love his lusty best friend, Wilma Hartford, who's also a drag queen, or his lovely long-time girlfriend Anne Hathaway. This battle to understand Shakespeare's true heart is a comic romp. All the while, Shakespeare peddles his screenplays in Hollywood. Renaissance and modern sensibilities clash when an all-male stage version of Macbeth and the misogynistic low-budget film "The Taming of the Shrew" open simultaneously. The combustion makes "The Bard," played by comedic genius Jason D. Johnson, the most controversial screenwriter in Hollywood.

A successful but dejected ventriloquist decides to break with his bold-as-brass, out-of-control dummy — only to find going his own way easier said than done.

Billy is a rather withdrawn little boy, untalkative for even a four-year-old. Who cares what happens to Billy when his father hits him?

角色比利以两种截然不同的方式被演绎，这部独特的电影跟随比利经历各种或好或坏的情景。

The story of Billy the Kid, the famous Outlaw, between 1878 and 1881.

The personal story of New Zealand's most beloved entertainer Billy T James. Reveals the man behind the chuckle.

The character Billy is played out in two very different ways, this unique film follows Billy through various scenarios good and bad

这部作品于2009年4月12日在德国Berliner Ensemble首演，时值莎士比亚《十四行诗》出版400周年之际。 罗伯特·威尔逊（Robert Wilson）执导的《莎士比亚十四行诗》(Shakespeare’s Sonnets)是绝妙的浪漫诗，难以用语言去概括。这些十四行诗被戏剧大师Jutta Ferbers挑选出来，他巧妙地改编了这些原本无意用于戏剧的迷人诗歌，用表演、朗诵、歌唱的方式表达出来；而Rufus Wainwright的作曲，混合了中世纪德国明尼苏达、古典、流行和卡巴莱摇滚的曲风，完美贴合了舞台的其他表现形式。莎士比亚比以往任何时候都更现代、更有活力。 在这部作品中，威尔逊充分开掘了莎士比亚154首十四行诗中所蕴含的颠覆传统的性别观，在男性和女性的欲望对象之间游移不定。几个典型的人物出现了：从男孩到傻瓜，从丘比特到神秘的黑女人，从英国女王到莎士比亚本人……威尔逊标志性的对时间、光线和肢体形态的塑造，与作曲家的时而浪漫、时而令人不安的配乐相融合，将观众带入一个悬浮在时空中的梦幻彼岸。

A dramatisation of the life of famed playwright William Shakespeare from 1590 to 1607.

The successful life of Mikhail, a Moscow lawyer, turns upside down in one day — a woman from the past, his first love, the daughter of a Gypsy baron Diana, appears in his life. She asks to get their daughter Yana out of prison, after which she promises to disappear forever from his life and keep his main secret. After all, Mikhail pretends to be another person. In fact, he is the gypsy Mihai Demeter, who 16 years ago was expelled from the camp and separated from his beloved. Mihai returns to the camp where he grew up in order to save his daughter, whose existence he did not know, and meet himself. Mihai will have to answer himself the question — who is he really, and where is his home — in the camp or in Moscow.